I found my way into photography almost by accident. I was finishing school for graphic design when a close friend (a pretty awesome fine art painter) invited me to join him at a commercial studio. It was 1999, and in those days, we were studio artists: sculpting foam, building realistic sets, and crafting environments for photography and film. That invitation became the start of a 20-plus-year career in the commercial studio world.
Over time, my role evolved from set finishing to layout and design, then into retouching and post-production. Eventually, I was directing shoots for national campaigns and helping build the creative processes behind 3D modeling and animation. Those years shaped how I see an image, not just as a moment, but as part of a larger story, strategy, and experience.
Today, I serve in a senior marketing and creative leadership role. I regularly hire and collaborate with photographers for architectural and event work, but about five years ago, I picked up the camera again myself. I knew exactly what we needed, and I knew how to capture it. That led to more projects, more clients, and a return to the hands-on craft that first drew me into this industry.
When I’m not in the office or on assignment, I’m usually still chasing light, whether that’s birds, the quiet drama of the night sky, or fleeting details. And when the camera is down, you’ll find me hanging around downtown Mebane, North Carolina, with my talented and beautiful partner, or getting a little roadbike ride in on the backroads of this beautiful piedmont region.
My work is grounded in both art and strategy. My love of photography is balanced with years of commercial and marketing experience. The images I deliver don’t just look great—they’re crafted to tell stories, and help sell products and experiences.
